Skip to main content

Radio Planning Final Session - Scripting Your Links


 I'm sure most of you want to get in the studio and start freestyling your links. Sorry but you can't. The criteria EXPLICITLY STATES that all dialogue has to be scripted. It says it in the criteria (look at part e of criteria 3) and also states it in the teaching guidance later in the spec.


WHAT THIS MEANS IS THAT without a script that you stick to your show, no matter how hilarious/great YOU might think it is, is going to fail this criteria and you'll fail the unit. YOU HAVE TO GENERATE SCRIPTED LINKS FOR AT LEAST A HALF-HOUR OF YOUR SHOW. SO - every time you've indicated in your RUNNING ORDER that you're going to say something or have a  link between tracks, you will have to script that link. 

I don't want you necessarily to write a script that you then read nervously in the studio. But I do want some hint as to what you're going to say. What might be ideal is scripting the links for now, recording them with a little bit of relaxed freedom and then going back to your script and amending them. No-one gets let near a studio though until you have something to do in there - i.e record a fully scripted show. 

To create your script do the following. 

1. Go to the following link. https://radio.co/blog/radio-script/

 Read it, don't just skim it. Half/3quarters of the way down you'll see this. 

Enter your name and e-mail and get the pdf of the two script formats. You're not writing a radio play so you're only concerned with the first two pages of the pdf.

2. Using the template on the PDF, and bearing in mind what the link said about how you should keep things informal, use your running order to create a script for at least half an hour of your show. You should be bearing in mind the length of songs and how much time you've given yourself for links. Your spoken-word speed will be important. I suggest you'll be needing at least 150 words per minute of link-time (so if you've set aside 2 minutes to talk about a track and then lead into the next one, you'll need 2x150 =300 words for example).

Remember you're not just naming the tracks you're talking about, you might be talking about the tracks in more detail, or mentioning anything else about the artist that is current/ relevant/ amusing/ interesting. Links of just a few monosyllabic words are not acceptable unless you have indicated in your planning that talk will be minimal because it suits the kind of podcast/show you're making. You should remember though - This unit is called TALK AND MUSIC RADIO. All music with barely any talk and a really thin/threadbare script is unlikely to get you any more than a pass.

4. When your script is complete and includes cues for music/jingles as well as what you're going to say and the tracks you're going to play, save it as a word document and paste it into a new blogpost called 'RADIO PLANNING: MY SCRIPT'

WHAT YOU SHOULD END UP WITH
A full script for your half hour show, ready for me to check before I let you in a studio.

Comments

Popular posts from this blog

Radio Planning Session 8 - Running Order

If you're this far in your plan for your show should be coming together nicely. You now need to give me, as the spec requires, a running order for at least half an hour of the show. A running order is a plan for the show you are doing. Running orders are used throughout the radio industry and differ in format from station to station. The 'running order' might seem a bit daunting but basically - remember when you analysed a half-hour of a show and listed everything that occured? You're going to do similar for the show you're planning, mapping out how half an hour of the show would unfold and adding timings to it so it's tight. Do this as follows 1. Have a look at the following sites  - there's sample running orders, each different.  Give yourself a flavour of what running orders contain and what they look like. You're going to create one for a half-hour of YOUR show. As you can see they all contain different things depending on how detailed they ...

Radio Planning Session 10 - Timeslot And Music

The penultimate part of your planning documentation will tell me what's the ideal time-slot for your show and also what kind of music you'll be playing. Obviously the two are related - if you're broadcasting in the daytime you're not going to be able to play music with adult-content or swearing in it - if you're broadcasting at night your music choices can depart from the daytime playlist for your suggested station, and include songs that are more specialist/obscure. Complete this part as follows.  1. Open up a new Blogpost. Call it 'RADIO PLANNING: TIMESLOT AND MUSIC'  2. Add the heading. 'SCHEDULING' and tell me, even if you have already - what time of the day will your show be broadcast and why? How will that timeslot reach your target audience? What will your target audience be doing at that time - will they be able to hear your show? 3. Add the heading 'PLAYLIST ' and give me a list of at least 5, and anything ...

Radio Production Session 2 - Editing Your Links

Hopefully you've SAVED your links properly as mp3s or wavs and can open them up in Adobe Audition. You now need to lace together your links with your music, as well as create jingles/stabs. You also need to leave me some EVIDENCE of this process so every now and then please screenshot what you're doing and save images in a folder (I'll figure out how to turn this into a production diary). REMEMBER - you can EDIT individual tracks in 'Edit View', you can put together various tracks in 'Multitrack' view. Have a play with effects and see what occurs. If you need help editing tell me and I'll come and help. These videos will be helpful also. (Editing Audio With Audition)  (How to Make Your Voice Sound Better With Audition)  (how to mix music + speech)